The Masters Program in Digital Musics is an interdisciplinary program for composers, artists and scholars working at the intersection of sonic arts and other disciplines including performance, design, technology, music theater, installation, cognitive neuroscience, computer science, improvisation and acoustics. The Masters Program in Digital Musics is best suited to makers and thinkers who might not fit into traditional conservatory or graduate school programs. The flexibility of the program creates a space for individuals who are working in multiple fields at once. All three of the core faculty are composers reaching outside the scope of contemporary music, and into computer science, cognitive neuroscience, architecture, sculpture, music theater, and participatory performance. We see the program as a home for sonic misfits, oddballs and outsiders who are making work across the conventional boundaries of music and academia. The program works well as a prelude to a PhD or MFA program, but can also serve artists and practitioners who would benefit from time in the critical and intellectual environment of a graduate program in order to fortify a hybrid or non-traditional practice. Dartmouth College operates on a quarter system, so Graduate Students in Digital Musics typically study on campus for seven 10-week terms over a two year period. Each term, students enroll in the Graduate Seminar and two other courses of their choice. These can be courses from the Undergraduate offerings at Dartmouth or independent Directed Research with Dartmouth faculty. At the end of the two years students present a Graduate Thesis which can take a creative, academic or hybrid form.